Devotion of this kind, known as Ragatmika-Bhakti, or the devotion of ecstasy, as different from Gauna-Bhakti, or formalistic and disciplined form of devotion, commences with a kind of agitation of the soul within, a stimulation it feels in itself, not through the intellect, mind and senses, but verily as it is in itself, when the devotee attempts firstly to cry for God in a state of bereavement from Him;
Secondly becomes temporarily unconscious through exhaustion caused by the intensity of longing;
Thirdly enters into a rapturous impulsion to imitate God, His features and actions, and dances in the spirit of a possession, as if that which one imitates has actually entered the person so imitating.
The best actors in a dramatic performance are those who virtually become the very part they are playing and lose their personal identity.
The Gopis were in this penultimate state of actual union with God, which, further on, led them to a state of tearing down all the empirical shackles of personality-consciousness and external relation in a verily maddening reach of giddy heights where it is not merely the devotee that runs after God, but God Himself running to the devotee, God wanting man much more than man wants God.
It is not enough if the devotee wants God; the highest devotion is where God loves the devotee and behaves as if He is a very servant of the one who loves Him. The lives of the saints who lived such a life of God-possession are examples practically to be seen in the history of religious thought and practice.