SITA RAMA KALYANAM
Dear Readers,
Sita's wedding, described by Sai Rama, is to be read, to derive Joy and Bliss.
Here it is!!!
"The auspicious hour named Vijaya was drawing near and they approached the dais preceded by musicians whose instruments struck up a melody that reached the dome of Heaven. The Councilors of the Court, the feudatory rulers, and their attendants followed them carrying huge plates of jewels, silk clothes, gold coins, and other auspicious articles essential for the ceremony.
The populace gazed upon their beauty and prowess, without even winking the eye; they confided to each other that the dignity of their bearing marked them out as Divine, and not human at all. They exclaimed, "0, What charm! What a surge of beauty"! Every one was filled with amazement. "They are denizens of heaven come down on earth," they whispered among themselves, as the bridegrooms passed between the thick rows of onlookers. Women swore that they had never cast their eyes on such charming princes. Every window and terrace was packed to overflowing. At last, the Princes reached the dais, and seated themselves.
......The four brides were shining like magnificent lamps. They sat face to face, Rama, Lakshmana, Bharatha and Satrughna on one side and opposite them, Sita, Urmila, Mandavi and Sruthakeerthi. A velvet cloth was held as a screen between. The residents of Ayodhya and the nobles who had come from there sat behind Dasaratha and the residents of Mithila and those invited for the wedding ceremony by Janaka sat behind him on the elevated dais.
The eyes of all were drawn by the elaborate artistic and rich decorations which distinguished the marriage shamiana. It was all gold, silver and flower and silk and velvet, festoons and flags, candelabras and columns, arches and finials. One could not take the eye off any of these once it drew one’s attention. The vast area was filled to overflowing with kinsmen and well-wishers. It looked as if Mithila itself was experiencing the thrill of the wedding and enjoying the celebrations as if they were her own.
Soon, Dasaratha rose and politely reminded the Preceptor Vasishta, "Why should we delay?" Hearing this, Janaka stood before Vasishta with folded arms, praying that he should himself officiate at the ceremony.
They arranged around the Altar of Fire, golden plates decorated with flowers and sandal paste, full of tender sprouts of nine species of grains. There were also incense burners, sacred spoons for offering oblations in the holy flames, golden water pots, cups, and such other articles essential for the rite. They spread the holy kusa grass thick on the floor, so that it lay as level and as smooth as laid down in the texts. Then, they began to pour oblations into the fire while reciting the hymns which assure happiness and prosperity to the brides and bridegrooms; every rite was gone through with meticulous accuracy and correctitude. The initiatory threads were tied on the wrists of the Princes and princesses.
The next rite was the rite of gifting the brides. Vasishta called upon Janaka to come forward; he came near the Sacred Fire Enclosure, dressed in regal splendour and wearing all the regal jewels. As directed by the sage he held the hands of Sita and placed them in the outstretched palms of Rama; his eyes streamed tears of joy; coconut symbolizing prosperity had already been placed in the palms of Rama and after Sita’s hands rested on it, milk was poured on the hands by Janaka as part of the ceremony of gifting. Janaka spoke these words to Rama at that time: "Rama! Here is Sita, my daughter. She will tread your Dharmic path from now on. Accept her. She brings prosperity, peace and joy. Hold her hand with yours. She is highly virtuous and true. From this moment, she will follow you like your shadow, ever." With these words, he poured water on the hands of Rama, to set the seal on the gift
Then he came near where Lakshmana was; he said, "Lakshmana! I am giving you this bride, Urmila, accept her", and with the prescribed mantras, he completed the ceremony of gifting her to the bridegroom. Similarly, he approached Bharatha and pronouncing the Vedic mantras traditionally used for the wedding, he gifted Mandavi to him as his bride. In the same manner Sruthakeerthi was gifted by him with the pouring of holy water and Vedic recitation to Satrughna. After this the scholars well versed in Vedic lore completed the customary rites and rituals for drawing upon the wedded couples the Grace of the Gods.
While they were doing so, showers of flowers fell upon them; joyous music rose from a galaxy of instruments. The distinguished gathering acclaimed the moment and scattered rice grains on their heads, wishing them all the best in life. The jubilation with which they cheered "Subham! Subham", shook the sky. It filled all ears with delight. The gods played divine music in heaven; elysian drums were beaten in ecstatic exaltation. The minstrels of heaven sang hallelujahs.
On the dais, court musicians sang the traditional wedding songs describing the splendour of the marriage ceremony and extolling it as on a par with the marriage of Lord Siva and Gauri. They sang it in a rich variety of ragas and melodies, filling the atmosphere with vibrations of delight. The four brothers with their brides stood on the dais facing the vast gathering, and bowed In acknowledgement of their cheers and greetings: "May you be happy for ever", "May everything auspicious be added unto you".
The brothers, resplendent in their youth, heroism and beauty, proceeded with their brides into enclosures behind the curtains from where their mothers were watching the ceremony, so that they might prostrate before them and be blessed by them. Then, they returned to the palace allotted for the stay of the Royal Party. From that day, for three days, the populace witnessed a magnificent variety of ceremony and festival, packed with joy and jubilee. The people of Ayodhya who had come to Mithila as well as the inhabitants of Mithila itself could not distinguish night from day! It was festivity without intermission. "
Love.
