Let us pick up some important learning from Swami's answers in previous posts and elaborate on the same
Devotee: Ever seen! Why, Swami, the cinema is also part of the world (prapancha), isn’t it? I have seen many.
Swami: What did you see? Tell me.
Devotee: I have seen many wonderful “pictures”; I have heard numerous experiences of joy and sorrow.
Swami: “I have seen,” you say. The screen is one; the “picture” is another. Did you see both?
Devotee: Yes.
Swami: Did you see the screen and the “picture” at the same time?
Devotee: How is that possible, Swami? When the picture is seen, the screen is not visible; when the screen is visible the picture is not seen.
Swami: Right! The screen, the pictures, do they exist always?
Devotee: No. The screen is permanent; the pictures come and go.
Swami: As you say, the screen is permanent and the pictures come and go. For this “permanent” and “impermanent”, we use the words steady (sthira) and unsteady (a-sthira), permanent (nithya) and impermanent (a-nithya), imperishable (a-kshara) and perishable (kshara).
I’ll ask questions on another subject. Does the picture project on the screen or the screen on the picture? Which is the basis for what?
Devotee: The pictures project on the screen, so the screen is the basis for the picture.
Swami: So too, the external world, which is like the picture, has no permanence; it changes. The internal world is fixed; it does not change. The external has the internal as its basis, its substratum.
Author's note
Dear All,
To understand the above revelation by Swami, let us go back to our learning on the Pure canvass screen (permanent / fixed, as explained by Swami in previous post) and the objects on the screen (we human beings, impermanent), as learnt in posts on the theme "creation of universe").
4 Stages in Pure Canvas -
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Pure canvass without any beginning and without any end. |
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The pure canvass as shown in the first diagram has been been stiffened by starch for making it suitable for painting. |
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A light sketch in some form on this stiffened canvas is drawn, which is barely visible and indistinctly cognisable as to its real features. |
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The lines that have been drawn are filled with ink in different colors as would be necessary to present the requisite picturesque scene. |
Let us visualize a strange situation in the context of the Pure canvass – Starched canvass - Outline of drawings - Inking of drawings and completed drawings appearing on the canvass or a motion show running on the movie screen.
We are seated away from the screen in both cases and we see drawings / human beings of so many different dimensions - some short, some tall, some thin, some fat, some beautiful, some ordinary, some ugly, etc.
Suppose, imagine, a miracle happens and we, at that instant, travel and sit on the canvass ourselves.
What will happen?
Seated on the canvas, how will we be able to see the other varied objects on the canvas? It is impossible because there is no space / no distance between us and the other drawings and the eyes cannot see itself, the eyes can only see things to our right / to our left / in front of us / above us / below us. It cannot see ourselves, it cannot see anything which exist as ourselves on the screen, with no space between us and the other drawings.
Correct?
This imagination takes us directly to the highest philosophy, highest truth which is pregnant in all the 100+ Upanishads.
What is the highest truth which follows the above imagination?
· The pure canvass is Brahman which is referred as Purusha in Panchadasi and Purushottama in B. Gita.
· All the fallacies, all the issues, all the karmas are faced by us only because WE EXIST AWAY, AS A SEPARATE IDENTITY, AS MR. SO AND SO, FROM THE PURE CANVASS, FROM BRAHMAN, FROM GOD.
· Existing away from God (avidya and asmita) as explained in MBCA, we are seeing / perceiving all drawings, the varied creations, good people, bad people, beautiful people, ugly people, good things , bad things etc. and are disturbed seeing this variety.
· As per our ego (attachment / hatred), we deal with different human beings, different things perceived by us, standing away from God.
· GO, MERGE, SIT ON THE SCREEN YOURSELF!!
(Go towards God through spiritual sadhana, merge in God in the climax of your sadhana and exist as God yourself)
· If you have merged with the screen/ God, then how will you see other things/ diversities in the canvass / world?
Now, for the ONLY truth which follows from the above, which is the theme / essence of vedantha.
· The pure canvass is the universal consciousness / absolute consciousness which is referred to as Purusha or Brahman or Paramatman in vedantha
· You, the one who have occupied a portion of the canvass is referred to as JIVA
· The portion of the pure canvass which has been occupied by you in the individual consciousness or Atman or Jivatma
· When, in sadhana undertaken with intense craving for God realization (Mumukshatva in vedantha), a day or THE DAY arrives when you have totally discarded your identity with your body, mind, intellect, ego then what happens?
· The discarding of your identity is to be understood as erasing your identity which is sitting on the pure canvass, occupying a portion of the pure canvass.
· What happens when your physical identity seated on the canvass is erased?
· Is it not that the portion of the pure canvass on which you had super imposed your physical identity, GOT FREE??
· This erasing of your identity is FREEDOM OR MOKSHA
· The arrested portion of the pure canvass on which you has super imposed yourself, getting free now, is ATMAN or JIVATMAN
· With the portion on which you had been existing on the canvass getting free, it has now regained its original free existence and post erasing, there is no difference between that portion and the other area of the pure canvass.
· This non difference explained above is MERGER OF JIVATMAN WITH PARAMATMAN, Merger of Atman with Brahman, Merger of your individual consciousness with absolute, universal consciousness.
Love.