Wednesday, February 27, 2019

Tattva Bodha - Post 28

JIVA AND ISWARA

Sthoola shareera abhimaani jeeva-naamakam,

brahma pratibimbam bhavati;

Sah eva jeevah prakrityaa swasmaat eeshwaram bhinna- tvena jaanaati.

Avidyaa upaadhih san, aatmaa jeevah iti uchyate.

Maayaa upaadhih san, eeshwarah iti uchyate.

Evam upaadhi bhedaat Jeeva-eeshwara-bheda-drishtih, yaavat paryantam tishthati;

Taavat paryantam, janma-marana-aadi-roopa samsaarah,
na nivartate.

Tasmaat kaaranaat, jeeva- eeshwarayoh bheda-buddhih,
na sveekaaryaa.


Identifying himself with the gross body, and known as the Jiva, is the reflection of Brahman. 

This Jiva by its very nature considers itself to be different from Iswara the Creator. 

Conditioned by Ignorance, the Self is called the Jiva;

Conditioned by Maya, the same Self (Brahman) is called Iswara. 


In this way, due to different conditioning, seeing Jiva and Iswara as being different, as long as that continues... 


so long, this worldly existence of the form of repeated birth and death, can never be removed.         


For that reason, the mentality of seeing difference between Jiva and Iswara, should never be accepted. 


Nanu saahamkaarasya, kinchid-jnasya jeevasya;

Nir-ahamkaarasya, sarva-jnasya eeshwarasya.

     i.            endowed with ego, and

  ii.            having limited knowledge, is the Jiva;           


while 


i) without any ego, and

ii) having Omniscience, is Iswara.


When sunlight gets reflected in a river or in a bucket of water, 

1.    the pure sunlight is Bimba or Chid-Akasa or pure consciousness. 


2.  the reflected sunlight is Pratibimba or Chid-Abhasa or the reflected consciousness. (sunlight, after falling on the river surface or on the water in a bucket).


3.  the bucket stands for the individual body and.

4.  the river / ocean stands for the Cosmic Body. 


The reflections appear different due to the vast difference in the medium / limiting factor through which they are reflected. 



If the differences due to the medium / conditioning factor are ignored, it means the reflections are ignored. 

What is left is just the Pure Consciousness in both cases. 

It makes it very clear that the pure consciousness is unaffected by the size or shape of the Upadhis / limited medium through which it is reflected. 


In this manner the Jiva (the “sunlight from the bucket”) is seen to be identical to Iswara (the “sunlight from the ocean”) from the point of view of Consciousness. 


The above analogy could be aligned with the pure canvass talk given to few / written elaborately in Creation of Universe theme, with teachings from Panchadasi on the Drawing in pure canvass chapter.


While the pure canvass can be compared to the sunlight falling on the ocean and the drawings on the canvass related to the water in bucket, if the reflection on the water (drawings on the canvass is erased, as told by the author in a talk, then what remains is just the pure canvass).


A secondary deduction from the analogy is this: The reflection from a bucket of dirty water would be different in quality to that from a bucket of clean water. 

The Jiva has a large amount of impurity in it. The Sattva in the Jiva is sullied by impurity, which is why it is deluded by Avidya. It does not know its true nature. 


As far as Iswara is concerned, the comparison here is the ocean, which is always Sattvic and pure. This ties up with the fact that Iswara is predominantly Sattvic, and hence not deluded by Maya, but is the master of Maya, i.e. Maya-Pati. 

 
Let us take another example.


This is a famous example in Vedanta, of Pot space and Universal space. 


This model compares:

1.    the Pure Consciousness to unlimited space, 
2.  the Jiva to the limited space within a pot or ‘ghata’, and 
3.  Iswara to the limited space of the building or ‘mata’ in which the pot is kept. 


The ghata and mata are Upadhis or “that which conditions or limits”. 


The ghata is the individual body and the mata is the Prapancha of the Cosmic Body. 


The space within the pot is Ghata-Akasha or ‘ghata space’, and within the building it is Mata-Akasha or ‘mata space’. 


When the ghata is broken, the ghata space merges with the mata space, and when the mata is also demolished, the mata space merges with Maha-Akasha or the ‘universal space’. 



As the space within the pot was never different from the mata space, which in turn was never different from the universal space, so also, the Jiva in essence is not different from Iswara, and both are not different in essence from Brahman. 


When the Upadhis or conditionings are removed, the distinctions between Jiva and Isvara are destroyed and their identity is seen, in accordance with the Mahavakya statement “Tat Twam Asi”. However, whilst the Upadhis are present, they give an apparent unique identity to both Jiva and Isvara.


Avidya Visishtha Chaitanyam Jivah

“Limited by Avidya, Atman is called Jiva at the microcosmic level.” 


Maya Visishtha Chaitanyam Ishwara

“Limited by Maya, Brahman is called Iswara at the macrocosmic level.” 


Summary


i)                            Space is always one, even when the limitations exist.

ii)                         The limitations give the ‘appearance’ that they are different, but that is illusory. When the limitations are removed, the oneness is made clear. 


iii)                     Space is not affected by the shape of the ghata or the mata. 

It ever remains pure, like the Pure Consciousness, which ever remains unaffected and pure. 

Love.


Tuesday, February 26, 2019

Tattva Bodha - Post 27


Dear All,       
                                                 
Yesterday's post might not be clear to some of us. So, today, the entire process of creation as per Tattva Bodha, given by Sankara, has been given in a crisp format so that at least we are all able to understand it clearly.  

Creation of 5 elements in order:

Cause
Effect
Brahman + Maya
Space
Space
Air
Air
Fire
Fire
Water
Water
Earth

Maya has 3 qualities that of Sattva, Rajas and Tamas and since 5 subtle elements have come from Maya these 5 elements also have these three qualities of sattva, Rajas and Tamas.  
                                                                         
Evolutes of Sattva                                                    

Element
Its Component
Space
Ears
Air
Skin
Fire
Eye
Water
Tongue
Earth
Nose
                                                                         
Each subsequent element gets the previous component along with it, as under:-              


From Satvic part of all the 5 elements together, the antahakarana - Manas, Buddhi, Chitta and Ahamkara is born.

Antahkarana
Presiding Deity
Manas
Moon
Buddhi
Brahma
Chitta
Vasudeva
Ahamkara
Rudra

Evolutes of Rajas

Element
Its Component
Space
Organ of speech
Air
Hand
Fire
Leg
Water
Genitals
Earth
Anus

Evolutes of Tamas
                                                                        
The scriptures point out that the Tamas component of the five elements alone get grossified to become the five gross elements – Pancha Sthūla Bhūtāni. The five gross elements are born out of or manifest from the Tamo Gunaha of the five subtle elements. 

The scriptures point out that, until grossification, each element was isolated and pure.

One element was not adulterated or mixed with others. But when grossification takes place, the Tamo Guna of these five elements get intermixed. This is just like eating a salad. Sūkshma Prapancha is like eating grapes separately, bananas separately etc.                                           

Pancheekaranam process                                                       

From the tamasic part of the five elements the gross body is formed. The gross body is formed through a process called Pancheekaranam.                                        

The process is as follows:                                            
1.      Every element is not a pure element like that of the subtle body but combination of all the other elements.    
2.     Each element is divided into two halves.    
3.     First half by the element and second by the other 4 elements.                   


Space
Air
Fire
Water
Earth
Space
1/2
1/8
1/8
1/8
1/8
Air
1/8
1/2
1/8
1/8
1/8
Fire
1/8
1/8
1/2
1/8
1/8
Water
1/8
1/8
1/8
1/2
1/8
Earth
1/8
1/8
1/8
1/8
1/2

Thus the pancheerkaranam process and thus the gross body is formed. The individual gross body is called Pindanda, the gross world is called Brahmanda. There is identity between the individual physical body and the gross world as both are made of the five

It is sufficient to know this much in theoretical terms as there is nothing much for contemplation on the above aspects.

Love.


                                                                       

Monday, February 25, 2019

Tattva Bodha - Post 26

The Formation of the Tanmatras

Eteshaam pancha-tattvaanaam madhye,
aakaashasya saatvikaamshaat shrotra indriyam sambhootam;
vaayoh saatvikaamshaat tvak indriyam sambhootam;
agneh saatvikaamshaat chakshuh indriyam sambhootam;
jalasya saatvikaamshaat rasana indriyam sambhootam;
prithivyaah saatvikaamshaat ghraana indriyam sambhootam;

Among these five Great Tanmatras or subtle elements,
from the Sattvic aspect of Space, the organ of hearing (ear) evolved;
from the Sattvic aspect of Air, the organ of touch (skin) evolved;
from the Sattvic aspect of Fire, the organ of sight (eye) evolved;
from the Sattvic aspect of Water, the organ of taste (tongue) evolved;
from the Sattvic aspect of Earth, the organ of smell (nose) evolved;

The first set (of eleven) comprises manas (mind), five buddhi-indriyas (five senses of perception: hearing, touching, seeing, tasting and smelling) and five karma- indriyas (five organs of action or rather the functioning of these five organs: speech, apprehension, locomotion, excretion and procreation). The set of eleven represents the first stage of man’s contact with the world. 

It is characterized as sattvic-ahamkara; meaning its components are predominantly of sattva nature.

The second set of five (out of the group of sixteen mentioned above) consists the five subtle elements (tanmatras): shabda, sparsha, rupa, rasa and gandha (elemental sound, touch, form, taste and smell). 

This set of five is characterized by rajasa, the Guna of action. 

The function of the rajasa Ahamkara is to motivate two other Gunas to be creative.

From out of the second set consisting five subtle elements, emerges Bhutas a set of five gross elements, the basic elements of nature: earth, water, fire, air and space (pancha-bhuta) leading to the gross or external world. 

This set of five gross elements is said to be tamasa-ahamkara, meaning they are the forms of Ahamkara characterized by predominance of the Guna tamas. 

Because of the predominance of tamas, the Bhutas or material elements are incapable of reflecting intelligence. They are therefore called insentient matter.

The gross elements are produced by various combinations of subtle elements. 

To illustrate: 
    
For Space, the quality of sound alone is supported.

For Air, the quality of touch is added, so there is sound and touch.

For Fire, the quality of form is added, so there is in fire sound, touch and form. 

For Water, the quality of taste is added; it supports sound, touch, form and taste. 

For Earth, the quality of smell is added; earth supports all the above five qualities. 

THE SATTVA EVOLUTES 

Note carefully that in the following verse we are only speaking of the subtle senses, not the physical sense organs. Hence instead of “ear” we are translating it as the faculty of hearing. The organ is only placed in brackets as a reference to this faculty. 

We take note that the organs of knowledge are built of the Sattvic aspect. There is no Rajas or Tamas in them. That is a characteristic of knowledge. Knowledge indicates the presence of Sattva. To know anything requires Sattva, the most refined of the three qualities. It is not the gross physical organs of knowledge that know anything, but it is their subtle equivalents in the subtle body.

And when we say five subtle elements, which component must be responsible? 

The Sattva Guna which stands for Jnana Shakti. The Sattva Guna components of the five elements are responsible for the generation of the five sense organs of knowledge. 

What is the order of generation? 

- The Sattva Guna component of Space is responsible for ears

- The Sattva Guna component of Air is the generator of skin

- The Sattva Guna component of Fire is the generator of Eye

- The Sattva Guna component of Water is the generator of Tongue 

- The Sattva Guna component of Earth is the generator of Nose 

Love.